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  The honeymooning couple went to Belize. I’ll bet it rains the whole time, Streeter thought. It didn’t, but Jacob spent most of the week in a rundown hospital, suffering from violent gastroenteritis and pooping into paper didies. He had only drunk bottled water, but then forgot and brushed his teeth from the tap. “My own darn fault,” he said.

  Over eight hundred US troops died in Iraq. Bad luck for those boys and girls.

  Tom Goodhugh began to suffer from gout, developed a limp, started using a cane.

  That year’s check to The Non-Sectarian Children’s Fund was of an extremely good size, but Streeter didn’t begrudge it. It was more blessed to give than to receive. All the best people said so.

  *

  In 2006, Tom’s daughter Gracie fell victim to pyorrhea and lost all her teeth. She also lost her sense of smell. One night shortly thereafter, at Goodhugh and Streeter’s weekly dinner (it was just the two men; Carl’s attendant had taken Carl on an “outing”), Tom Goodhugh broke down in tears. He had given up microbrews in favor of Bombay Sapphire gin, and he was very drunk. “I don’t understand what’s happened to me!” he sobbed. “I feel like … I don’t know … fucking Job!”

  Streeter took him in his arms and comforted him. He told his old friend that clouds always roll in, and sooner or later they always roll out.

  “Well, these clouds have been here a fuck of a long time!” Goodhugh cried, and thumped Streeter on the back with a closed fist. Streeter didn’t mind. His old friend wasn’t as strong as he used to be.

  Charlie Sheen, Tori Spelling, and David Hasselhoff got divorces, but in Derry, David and Janet Streeter celebrated their thirtieth wedding anniversary. There was a party. Toward the end of it, Streeter escorted his wife out back. He had arranged fireworks. Everybody applauded except for Carl Goodhugh. He tried, but kept missing his hands. Finally the former Emerson student gave up on the clapping thing and pointed at the sky, hooting.

  *

  In 2007, Kiefer Sutherland went to jail (not for the first time) on DUI charges, and Gracie Goodhugh Dickerson’s husband was killed in a car crash. A drunk driver veered into his lane while Andy Dickerson was on his way home from work. The good news was that the drunk wasn’t Kiefer Sutherland. The bad news was that Gracie Dickerson was four months pregnant and broke. Her husband had let his life insurance lapse to save on expenses. Gracie moved back in with her father and her brother Carl.

  “With their luck, that baby will be born deformed,” Streeter said one night as he and his wife lay in bed after making love.

  “Hush!” Janet cried, shocked.

  “If you say it, it won’t come true,” Streeter explained, and soon the two nuzzle-bunnies were asleep in each other’s arms.

  That year’s check to the Children’s Fund was for thirty thousand dollars. Streeter wrote it without a qualm.

  *

  Gracie’s baby came at the height of a February snowstorm in 2008. The good news was that it wasn’t deformed. The bad news was that it was born dead. That damned family heart defect. Gracie—toothless, husbandless, and unable to smell anything—dropped into a deep depression. Streeter thought that demonstrated her basic sanity. If she had gone around whistling “Don’t Worry, Be Happy,” he would have advised Tom to lock up all the sharp objects in the house.

  A plane carrying two members of the rock band Blink-182 crashed. Bad news, four people died. Good news, the rockers actually survived for a change … although one of them would die not much later.

  “I have offended God,” Tom said at one of the dinners the two men now called their “bachelor nights.” Streeter had brought spaghetti from Cara Mama, and cleaned his plate. Tom Goodhugh barely touched his. In the other room, Gracie and Carl were watching American Idol, Gracie in silence, the former Emerson student hooting and gabbling. “I don’t know how, but I have.”

  “Don’t say that, because it isn’t true.”

  “You don’t know that.”

  “I do,” Streeter said emphatically. “It’s foolish talk.”

  “If you say so, buddy.” Tom’s eyes filled with tears. They rolled down his cheeks. One clung to the line of his unshaven jaw, dangled there for a moment, then plinked into his uneaten spaghetti. “Thank God for Jacob. He’s all right. Working for a TV station in Boston these days, and his wife’s in accounting at Brigham and Women’s. They see May once in awhile.”

  “Great news,” Streeter said heartily, hoping Jake wouldn’t somehow contaminate his daughter with his company.

  “And you still come and see me. I understand why Jan doesn’t, and I don’t hold it against her, but … I look forward to these nights. They’re like a link to the old days.”

  Yes, Streeter thought, the old days when you had everything and I had cancer.

  “You’ll always have me,” he said, and clasped one of Goodhugh’s slightly trembling hands in both of his own. “Friends to the end.”

  *

  2008, what a year! Holy fuck! China hosted the Olympics! Chris Brown and Rihanna became nuzzle-bunnies! Banks collapsed! The stock market tanked! And in November, the EPA closed Mount Trashmore, Tom Goodhugh’s last source of income. The government stated its intention to bring suit in matters having to do with groundwater pollution and illegal dumping of medical wastes. The Derry News hinted that there might even be criminal action.

  Streeter often drove out along the Harris Avenue Extension in the evenings, looking for a certain yellow umbrella. He didn’t want to dicker; he only wanted to shoot the shit. But he never saw the umbrella or its owner. He was disappointed but not surprised. Deal-makers were like sharks; they had to keep moving or they’d die.

  He wrote a check and sent it to the bank in the Caymans.

  *

  In 2009, Chris Brown beat the hell out of his Number One Nuzzle-Bunny after the Grammy Awards, and a few weeks later, Jacob Goodhugh the ex–football player beat the hell out of his bubbly wife Cammy after Cammy found a certain lady’s undergarment and half a gram of cocaine in Jacob’s jacket pocket. Lying on the floor, crying, she called him a son of a bitch. Jacob responded by stabbing her in the abdomen with a meat fork. He regretted it at once and called 911, but the damage was done; he’d punctured her stomach in two places. He told the police later that he remembered none of this. He was in a blackout, he said.

  His court-appointed lawyer was too dumb to get a bail reduction. Jake Goodhugh appealed to his father, who was hardly able to pay his heating bills, let alone provide high-priced Boston legal talent for his spouse-abusing son. Goodhugh turned to Streeter, who didn’t let his old friend get a dozen words into his painfully rehearsed speech before saying you bet. He still remembered the way Jacob had so unselfconsciously kissed his old man’s cheek. Also, paying the legal fees allowed him to question the lawyer about Jake’s mental state, which wasn’t good; he was racked with guilt and deeply depressed. The lawyer told Streeter that the boy would probably get five years, hopefully with three of them suspended.

  When he gets out, he can go home, Streeter thought. He can watch American Idol with Gracie and Carl, if it’s still on. It probably will be.

  “I’ve got my insurance,” Tom Goodhugh said one night. He had lost a lot of weight, and his clothes bagged on him. His eyes were bleary. He had developed psoriasis, and scratched restlessly at his arms, leaving long red marks on the white skin. “I’d kill myself if I thought I could get away with making it look like an accident.”

  “I don’t want to hear talk like that,” Streeter said. “Things will turn around.”

  In June, Michael Jackson kicked the bucket. In August, Carl Goodhugh went and did him likewise, choking to death on a piece of apple. The companion might have performed the Heimlich maneuver and saved him, but the companion had been let go due to lack of funds sixteen months before. Gracie heard Carl gurgling but said she thought “it was just his usual bullshit.” The good news was Carl also had life insurance. Just a small policy, but enough to bury him.

  After the funeral (Tom Goo
dhugh sobbed all the way through it, holding onto his old friend for support), Streeter had a generous impulse. He found Kiefer Sutherland’s studio address and sent him an AA Big Book. It would probably go right in the trash, he knew (along with the countless other Big Books fans had sent him over the years), but you never knew. Sometimes miracles happened.

  *

  In early September of 2009, on a hot summer evening, Streeter and Janet rode out to the road that runs along the back end of Derry’s airport. No one was doing business on the graveled square outside the Cyclone fence, so he parked his fine blue Pathfinder there and put his arm around his wife, whom he loved more deeply and completely than ever. The sun was going down in a red ball.

  He turned to Janet and saw that she was crying. He tilted her chin toward him and solemnly kissed the tears away. That made her smile.

  “What is it, honey?”

  “I was thinking about the Goodhughs. I’ve never known a family to have such a run of bad luck. Bad luck?” She laughed. “Black luck is more like it.”

  “I haven’t, either,” he said, “but it happens all the time. One of the women killed in the Mumbai attacks was pregnant, did you know that? Her two-year-old lived, but the kid was beaten within an inch of his life. And—”

  She put two fingers to her lips. “Hush. No more. Life’s not fair. We know that.”

  “But it is!” Streeter spoke earnestly. In the sunset light his face was ruddy and healthy. “Just look at me. There was a time when you never thought I’d live to see 2009, isn’t that true?”

  “Yes, but—”

  “And the marriage, still as strong as an oak door. Or am I wrong?”

  She shook her head. He wasn’t wrong.

  “You’ve started selling freelance pieces to The Derry News, May’s going great guns with the Globe, and our son the geek is a media mogul at twenty-five.”

  She began to smile again. Streeter was glad. He hated to see her blue.

  “Life is fair. We all get the same nine-month shake in the box, and then the dice roll. Some people get a run of sevens. Some people, unfortunately, get snake-eyes. It’s just how the world is.”

  She put her arms around him. “I love you, sweetie. You always look on the bright side.”

  Streeter shrugged modestly. “The law of averages favors optimists, any banker would tell you that. Things have a way of balancing out in the end.”

  Venus came into view above the airport, glimmering against the darkening blue.

  “Wish!” Streeter commanded.

  Janet laughed and shook her head. “What would I wish for? I have everything I want.”

  “Me too,” Streeter said, and then, with his eyes fixed firmly on Venus, he wished for more.

  STEPHEN KING is the author of more than fifty worldwide bestsellers. He was the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters and the 2007 Grand Master Award from the Mystery Writers of America. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

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  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright © 2010 by Stephen King

  Previously published in 2010 in a collection of novellas title Full Dark, No Stars

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  ISBN 978-1-5011-0443-5 (ebook)

  Just as many of his acclaimed works of short fiction have generated such enduring films as The Shawshank Redemption and Stand by Me, this chillingly rendered quartet of Stephen King tales “might yield another classic” (Columbus Dispatch), with its richly drawn characters and mesmerizing plotlines pulsing with the evil men do… .

  FULL DARK, NO STARS

  “Solid psychological chillers.”

  —Columbus Dispatch

  “Compulsively readable… . As disturbing as it is compelling… . Full Dark, No Stars is the work of a formidably gifted storyteller, a man with a dark, uncompromising vision and an utterly hypnotic voice.”

  —SubterraneanPress.com

  “Rarely has King gone this dark, but to say there are no stars here is crazy.”

  —Booklist (starred review)

  “A page turner… . King … seems able to write compact tales or gargantuan ones with equal ease.”

  —Janet Maslin, The New York Times

  This title is also available from Simon & Schuster Audio

  Stephen King shines against a pitch-black canvas with these dark tales …

  “I believe there is another man inside every man, a stranger,” writes Wilfred Leland James in “1922,” and it was that stranger that set off a gruesome train of murder and madness when his wife, Arlette, proposed selling off the family homestead… . “Big Driver” follows a mystery writer down a Massachusetts back road, where she is violated and left for dead. But plotting revenge brings her face-to-face with another dangerous stranger: herself… . Making a deal with the devil not only saves Henry Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment, in “Fair Extension.” … And, with her husband away on business, Darcy Anderson looks for batteries in their garage—and makes a horrifying discovery that definitively ends “A Good Marriage.”

  “Full Dark, No Stars is an extraordinary collection, thrillingly merciless, and a career high point.”

  —The Telegraph (UK)

  “These tales show how a skilled storyteller with a good tale to tell can make unsettling fiction compulsively readable.”

  —Publishers Weekly (starred review)

  “King [is] the most wonderfully gruesome man on the planet… . The pages practically turn themselves.”

  —USA Today

  And be sure to read

  UNDER THE DOME

  Stephen King’s #1 New York Times bestseller … his boldest novel since The Stand

  “It has the scope and flavor of literary Americana, even if King’s particular patch of American turf is located smack in the middle of the Twilight Zone.”

  —Janet Maslin, The New York Times

  “Seven words: the best yet from the best ever. America’s greatest living novelist delivers his masterpiece.”

  —Lee Child

  “A clever blend of Lord of the Flies, Malthus, Machiavelli, and Lost… . Wildly entertaining.”

  —People (3 1/2 stars)

  “King readers will rejoice.”

  —Library Journal

  “One of his most powerful novels ever … and our stock
of literature in the great American Gothic tradition is brilliantly replenished because of it.”

  —The Washington Post

  “Impressive.”

  —Los Angeles Times

  “Irresistibly compelling… . A nonstop thrill ride as well as a disturbing, moving meditation on our capacity for good and evil.”

  —Publishers Weekly

  “Moves so fast and grips the reader so tightly that it’s practically incapacitating.”

  —Newsday (NY)

  AFTERWORD

  The stories in this book are harsh. You may have found them hard to read in places. If so, be assured that I found them equally hard to write in places. When people ask me about my work, I have developed a habit of skirting the subject with jokes and humorous personal anecdotes (which you can’t quite trust; never trust anything a fiction writer says about himself). It’s a form of deflection, and a little more diplomatic than the way my Yankee forebears might have answered such questions: It’s none of your business, chummy. But beneath the jokes, I take what I do very seriously, and have since I wrote my first novel, The Long Walk, at the age of eighteen.

  I have little patience with writers who don’t take the job seriously, and none at all with those who see the art of story-fiction as essentially worn out. It’s not worn out, and it’s not a literary game. It’s one of the vital ways in which we try to make sense of our lives, and the often terrible world we see around us. It’s the way we answer the question, How can such things be? Stories suggest that sometimes—not always, but sometimes—there’s a reason.

  From the start—even before a young man I can now hardly comprehend started writing The Long Walk in his college dormitory room—I felt that the best fiction was both propulsive and assaultive. It gets in your face. Sometimes it shouts in your face. I have no quarrel with literary fiction, which usually concerns itself with extraordinary people in ordinary situations, but as both a reader and a writer, I’m much more interested by ordinary people in extraordinary situations. I want to provoke an emotional, even visceral, reaction in my readers. Making them think as they read is not my deal. I put that in italics, because if the tale is good enough and the characters vivid enough, thinking will supplant emotion when the tale has been told and the book set aside (sometimes with relief). I can remember reading George Orwell’s 1984 at the age of thirteen or so with growing dismay, anger, and outrage, charging through the pages and gobbling up the story as fast as I could, and what’s wrong with that? Especially since I continue to think about it to this day when some politician (I’m thinking of Sarah Palin and her scurrilous “death-panel” remarks) has some success in convincing the public that white is really black, or vice-versa.