Black House js-2 Page 5

  We have been honored, but the honor is unbearable. The speaking bee circles back to the window and passes into another world, and, following his lead, we move on, out the window, into the sun, and into the upper air.

  Smells of shit and urine at Maxton Elder Care; the fragile, slick feel of slippage at the off-kilter house north of Highway 35; the sound of the flies and the sight of the blood at the former Ed’s Eats. Ag! Yuck! Is there no place here in French Landing, we may ask, where there is something nice under the skin? Where what we see is what we get, so to speak?

  The short answer: no. French Landing should be marked with big road signs at every point of ingress: WARNING! SLIPPAGE IN PROGRESS! PASS AT YOUR OWN RISK!

  The magic at work here is Fishermagic. It has rendered “nice” at least temporarily obsolete. But we can go someplace nice-er, and if we can we probably should, because we need a break. We may not be able to escape slippage, but we can at least visit where no one shits the bed or bleeds on the floor (at least not yet).

  So the bee goes its way and we go ours; ours takes us southwest, over more woods exhaling their fragrance of life and oxygen—there is no air like this air, at least not in this world—and then back to the works of man again.

  This section of town is called Libertyville, so named by the French Landing Town Council in 1976. You won’t believe this, but big-bellied Ed Gilbertson, the Hot Dog King himself, was a member of that bicentennial band of town fathers; those were strange days, pretty mama, strange days indeed. Not as strange as these, however; in French Landing, these are the Fisherdays, the slippery slippage days.

  The streets of Libertyville have names that adults find colorful and children find painful. Some of the latter have been known to call this area of town Faggotyville. Let us descend now, down through the sweet morning air (it’s warming up already; this will be a Strawberry Fest kind of day for sure). We cruise silently over Camelot Street, past the intersection of Camelot and Avalon, and travel on down Avalon to Maid Marian Way. From Maid Marian we progress to—is it any surprise?—Robin Hood Lane.

  Here, at No. 16, a sweet little Cape Cod honey of a home that looks just right for The Decent Hardworking Family On Its Way Up, we find a kitchen window open. There is the smell of coffee and toast, a wonderful combined odor that denies slippage (if only we did not know better; if only we had not seen the dog at work, eating a foot out of a sneaker as a child might eat the hot dog right out of its bun), and we follow the aroma in. It’s nice to be invisible, isn’t it? To watch in our godlike silence. If only what our godlike eyes saw was just a little less goddamn upsetting! But that is by the way. We’re in it now, for better or for worse, and we had better get on about our business. Daylight’s a-wasting, as they say in this part of the world.

  Here in the kitchen of No. 16 is Fred Marshall, whose picture currently graces the Salesman of the Month easel in the showroom of French County Farm Equipment. Fred has also been named Employee of the Year three years out of the last four (two years ago Ted Goltz gave the award to Otto Eisman, just to break the monotony), and when he is on the job no one radiates more charm, personality, or all around niceness. You wanted nice? Ladies and gentlemen, presenting Fred Marshall!

  Only now his confident smile is not in evidence, and his hair, always carefully combed on the job, hasn’t yet seen the brush. He’s wearing Nike shorts and a tee with cutoff sleeves instead of his usual pressed khakis and sport shirt. On the counter is the Marshall copy of the La Riviere Herald, open to an inside page.

  Fred has his share of problems just lately—or, rather, his wife, Judy, has problems, and what’s hers is his, so said the minister when he joined them in holy wedlock—and what he’s reading isn’t making him feel any better. Far from it. It’s a sidebar to the lead story on the front page, and of course the author is everyone’s favorite muckraker, Wendell “FISHERMAN STILL AT LARGE” Green.

  The sidebar is your basic recap of the first two murders (Gruesome and Gruesomer is how Fred thinks of them), and as he reads, Fred bends first his left leg up behind him and then his right, stretching those all-important thigh muscles and preparing for his morning run. What could be more antislippage than a morning run? What could be nicer? What could possibly spoil such a lovely start to such a beautiful Wisconsin day?

  Well, how about this:

  Johnny Irkenham’s dreams were simple enough, according to his grief-stricken father. [Grief-stricken father, Fred thinks, stretching and imagining his son asleep upstairs. Dear God, save me from ever being a grief-stricken father. Not knowing, of course, how soon he must assume this role.] “Johnny wanted to be an astronaut,” George Irkenham said, a smile briefly lighting his exhausted face. “When he wasn’t putting out fires for the French Landing F.D. or fighting crime with the Justice League of America, that is.”

  These innocent dreams ended in a nightmare we cannot imagine. [But I’m sure you’ll try, Fred thinks, now beginning his toe raises.] Earlier this week, his dismembered body was discovered by Spencer Hovdahl of Centralia. Hovdahl, a First Farmer State Bank loan officer, was inspecting an abandoned French Landing farm owned by John Ellison, who lives in a neighboring county, with an eye to initiating repossession proceedings. “I didn’t want to be there in the first place,” Hovdahl told this reporter. “If there’s anything I hate, it’s the repo stuff. [Knowing Spence Hovdahl as he does, Fred very much doubts if “stuff” was the word he used.] I wanted to be there even less after I went into the henhouse. It’s all rickety and falling down, and I would have stayed out except for the sound of the bees. I thought there might be a hive in there. Bees are an interest of mine, and I was curious. God help me, I was curious. I hope I’ll never be curious again.”

  What he found in the henhouse was the body of seven-year-old John Wesley Irkenham. The corpse had been dismembered, the pieces hung from the henhouse’s decaying rafters by chains. Although Police Chief Dale Gilbertson would neither confirm nor deny it, reliable police sources in La Riviere say that the thighs, torso, and buttocks had been bitten—

  Okay, that’s enough for Fred, everybody out of the pool. He sweeps the newspaper closed and shoves it all the way down the counter to the Mr. Coffee. By God, they never put stuff like that in the paper when he was a kid. And why the Fisherman, for heaven’s sake? Why did they have to tag every monster with a catchy nickname, turn a guy like whoever did this into the Celebrity Sicko of the Month?

  Of course, nothing like this had ever happened when he was Tyler’s age, but the principle . . . the goddamned principle of the matter . . .

  Fred finishes his toe raises, reminding himself to have a talk with Tyler. It will be harder than their little talk about why his thing sometimes gets hard, but it absolutely must be done. Buddy system, Fred will say. You’ve got to stick with your buddies now, Ty. No more rambling around on your own for a while, okay?

  Yet the idea of Ty actually being murdered seems remote to Fred; it is the stuff of TV docudramas or maybe a Wes Craven movie. Call it Scream 4: The Fisherman. In fact, wasn’t there a movie sort of like that? A guy in a fisherman’s slicker wandering around and killing teenagers with a hook? Maybe, but not little kids, not babies like Amy St. Pierre and Johnny Irkenham. Jesus, the world was disintegrating right in front of him.

  Body parts hanging from chains in a crumbling henhouse, that is the part which haunts him. Can that really be? Can it be here, right here and now in Tom Sawyer–Becky Thatcher country?

  Well, let it go. It’s time to run.

  But maybe the paper kind of got lost this morning, Fred thinks, picking it up from the counter and folding it until it looks like a thick paperback book (but part of the headline accuses him even so: FISHERMAN STILL AT L). Maybe the paper just kind of, I don’t know, migrated straight to the old garbage can beside the house.

  Yes, good idea. Because Judy has been strange lately, and Wendell Green’s pulsating stories about the Fisherman are not helping (Thighs and torso bitten, Fred thinks as he glides through the early-morni
ng-quiet house toward the door, and while you’re at it, waiter, have them cut me a nice rare chunk of butt). She reads the press accounts obsessively, making no comment, but Fred doesn’t like the way her eyes jump around, or some of the other tics she’s picked up: the obsessive touching of her tongue to her upper lip, for instance . . . and sometimes, this in the last two or three days, he has seen her tongue reach all the way up and pet at her philtrum just below her nose, a feat he would have thought impossible if he had not seen it again last night, during the local news. She goes to bed earlier and earlier, and sometimes she talks in her sleep—strange, slurry words that don’t sound like English. Sometimes when Fred speaks to her, she doesn’t respond, simply stares off into space, eyes wide, lips moving slightly, hands kneading together (cuts and scratches have begun to show up on the backs of them, even though she keeps her nails cropped sensibly short).

  Ty has noticed his mother’s encroaching oddities, too. On Saturday, while father and son were having lunch together—Judy was upstairs taking one of her long naps, another new wrinkle—the boy suddenly asked, right out of a blue clear sky, “What’s wrong with Mom?”

  “Ty, nothing’s wrong with—”

  “There is! Tommy Erbter says she’s a Coke short of a Happy Meal these days.”

  And had he almost reached across the tomato soup and toasted-cheese sandwiches and clouted his son? His only child? Good old Ty, who was nothing but concerned? God help him, he had.

  Outside the door, at the head of the concrete path leading down to the street, Fred begins to jog slowly in place, taking deep breath after deep breath, depositing the oxygen he will soon withdraw. It is usually the best part of his day (assuming he and Judy don’t make love, that is, and lately there has been precious little of that). He likes the feeling—the knowledge—that his path might be the beginning of the road to anywhere, that he could start out here in the Libertyville section of French Landing and wind up in New York . . . San Francisco . . . Bombay . . . the mountain passes of Nepal. Every step outside one’s own door invites the world (perhaps even the universe), and this is something Fred Marshall intuitively understands. He sells John Deere tractors and Case cultivators, yes, all right, already, but he is not devoid of imagination. When he and Judy were students at UW-Madison, their first dates were at the coffeehouse just off campus, an espresso-jazz-and-poetry haven called the Chocolate Watchband. It would not be entirely unfair to say that they had fallen in love to the sound of angry drunks declaiming the works of Allen Ginsberg and Gary Snyder into the Chocolate Watchband’s cheap but exquisitely loud sound system.

  Fred draws one more deep breath and begins to run. Down Robin Hood Lane to Maid Marian Way, where he gives Deke Purvis a wave. Deke, in his robe and slippers, is just picking Wendell Green’s daily dose of doom up off his own stoop. Then he wheels onto Avalon Street, picking it up a little now, showing his heels to the morning.

  He cannot outrun his worries, however.

  Judy, Judy, Judy, he thinks in the voice of Cary Grant (a little joke that has long since worn thin with the love of his life).

  There is the gibberish when she sleeps. There’s the way her eyes dart hither and yon. And let’s not forget the time (just three days ago) when he followed her into the kitchen and she wasn’t there—she’d turned out to be behind him, coming down the stairs, and how she had done that seems less important to him than why she had done it, gone sneaking up the back stairs and then come tromping down the front ones (because that is what she must have done; it’s the only solution he can think of). There’s the constant tapping and petting she does with her tongue. Fred knows what it all adds up to: Judy has been acting like a woman in terror. This has been going on since before the murder of Amy St. Pierre, so it can’t be the Fisherman, or not entirely the Fisherman.

  And there is a larger issue. Before the last couple of weeks, Fred would have told you that his wife doesn’t have a fearful bone in her body. She might be just five foot two (“Why, you’re no bigger than a minute” was his grandmother’s comment when she first met Fred’s intended), but Judy has the heart of a lion, of a Viking warrior. This isn’t bullshit, or hype, or poetic license; it is the simple truth as Fred sees it, and it is the contrast between what he has always known and what he sees now that scares him the most.

  From Avalon he races onto Camelot, crossing the intersection without looking for traffic, going much faster than usual, almost sprinting instead of jogging. He is remembering something that happened about a month after they started going out.

  It was the Chocolate Watchband they had gone to, as usual, only this time during the afternoon, to listen to a jazz quartet that had actually been pretty good. Not that they had listened very much, as Fred now recalls it; mostly he had talked to Judy about how little he liked being in the College of Agricultural and Life Sciences (Moo U, the Letters and Science snooties called it), and how little he liked the unspoken family assumption that when he graduated he would come on back home and help Phil run the family farm in French Landing. The idea of spending his life in harness with Phil gave Fred a severe case of the glooms.

  What do you want, then? Judy had asked. Holding his hand on the table, a candle burning inside a jelly glass, the combo onstage working a sweet little number called “I’ll Be There for You.”

  I don’t know, he’d said, but I tell you what, Jude, I should be in Business Admin, not Moo U. I’m a hell of a lot better at selling than at planting.

  Then why don’t you switch?

  Because my family thinks—

  Your family isn’t going to have to live your life, Fred—you are.

  Talk is cheap, he remembers thinking, but then something had happened on the way back to campus, something so amazing and out of his understanding of how life was supposed to work that it fills him with wonder even now, some thirteen years later.

  Still talking about his future and their future together (I could be a farm wife, Judy had said, but only if my husband really wants to be a farmer). Deep into that. Letting their feet carry them along without much interest in exactly where they were. And then, at the intersection of State Street and Gorham, a scream of brakes and a hearty metallic bang had interrupted the conversation. Fred and Judy had looked around and seen a Dodge pickup that had just tangled bumpers with an elderly Ford station wagon.

  Getting out of the wagon, which had pretty clearly run the stop sign at the end of Gorham Street, was a middle-aged man in a middle-aged brown suit. He looked scared as well as shaken up, and Fred thought there was good reason for that; the man advancing toward him from the pickup truck was young, heavyset (Fred particularly remembered the belly bulging over the waist of his jeans), and carrying a tire iron. You goddamn careless asshole! Young and Heavyset cried. Look what you done to my truck! This my dad’s truck, you goddamn asshole!

  Middle-Aged Suit backing up, eyes wide, hands raised, Fred watching fascinated from in front of Rickman’s Hardware, thinking Oh no, mister, bad idea. You don’t back away from a guy like this, you go toward him, even as mad as he is. You’re provoking him—can’t you see that you’re provoking him? So fascinated he didn’t realize that Judy’s hand was no longer in his, listening with a kind of sick foreknowledge as Mr. Middle-Aged Suit, still backing up, blathered about how he was sorry . . . entirely his fault, wasn’t looking, wasn’t thinking . . . insurance papers . . . State Farm . . . draw a diagram . . . get a policeman to take statements . . .

  And all the time Young and Heavyset was advancing, thwocking the end of the tire iron into the palm of his hand, not listening. This wasn’t about insurance or compensation; this was about how Mr. Middle-Aged Suit had scared the shit out of him while he was just driving along and minding his own business and listening to Johnny Paycheck sing “Take This Job and Shove It.” Young and Heavyset intended to take a little payback paycheck of his own for getting the shit scared out of him and all jounced around behind the wheel . . . had to take a little, because the other man’s smell was inciting hi
m, that piss-yellow smell of fear and innate defenselessness. It was a case of rabbit and farmyard dog, and all at once the rabbit was clean out of backing room; Mr. Middle-Aged Suit was pressed against the side of his station wagon, and in a moment the tire iron was going to start swinging and the blood was going to start flying.

  Except there was no blood and not a single swing, because all at once Judy DeLois was there, no bigger than a minute but standing between them, looking fearlessly up into Young and Heavyset’s burning face.

  Fred blinked, wondering how in the name of God she’d gotten there so damned fast. (Much later he would feel the same way when he followed her into the kitchen, only to hear the steady thump of her feet descending the front stairs.) And then? Then Judy slapped Young and Heavyset’s arm! Whack, right on the meaty bicep she slapped him, leaving a white palm print on the sunburned freckled flesh below the sleeve of the guy’s torn blue T-shirt. Fred saw it but couldn’t believe it.

  Quit it! Judy shouted up into Young and Heavyset’s surprised, beginning-to-be-bewildered face. Put it down, quit it! Don’t be dumb! You want to go to jail over seven hundred dollars’ worth of bodywork? Put it down! Get it together, big boy! Put . . . that . . . thing . . . DOWN!

  There’d been one second when Fred was quite sure Young and Heavyset was going to bring the tire iron down anyway, and right on his pretty little girlfriend’s head. But Judy never flinched; her eyes never left the eyes of the young man with the tire iron, who towered at least a foot over her and must have outweighed her by a couple of hundred pounds. There was certainly no pissy yellow fear smell coming off her that day; her tongue did no nervous patting at her upper lip or her philtrum; her blazing eyes were steadfast.