Salem's Lot Page 13

  "So I understand," Hanrahan said crisply. "Ralph Glick. Nine years old, four-three, black hair, blue eyes. What is it, kidnap note?"

  "Nothin' like that. Can you check on some fellas for me?"

  Hanrahan answered in the affirmative.

  "First one is Benjaman Mears. M-E-A-R-S. Writer. Wrote a book called Conway's Daughter. The other two are sorta stapled together. Kurt Barlow. B-A-R-L-O-W. The other guy--"

  "You spell that Kurt with a 'c' or a 'k'?" Hanrahan asked.

  "I dunno."

  "Okay. Go on."

  Parkins did so, sweating. Talking to the real law always made him feel like an asshole. "The other guy is Richard Throckett Straker. Two t's on the end of Throckett, and Straker like it sounds. This guy and Barlow are in the furniture and antique business. They just opened a little shop here in town. Straker claims Barlow's in New York on a buyin' trip. Straker claims the two of them worked together in London an' Hamburg. And I guess that pretty well covers it."

  "Do you suspect these people in the Glick case?"

  "Right now I don't know if there even is a case. But they all showed up in town about the same time."

  "Do you think there's any connection between this guy Mears and the other two?"

  Parkins leaned back and cocked an eye out the window. "That," he said, "is one of the things I'd like to find out."

  TWELVE

  The telephone wires make an odd humming on clear, cool days, almost as if vibrating with the gossip that is transmitted through them, and it is a sound like no other--the lonely sound of voices flying over space. The telephone poles are gray and splintery, and the freezes and thaws of winter have heaved them into leaning postures that are casual. They are not businesslike and military, like phone poles anchored in concrete. Their bases are black with tar if they are beside paved roads, and floured with dust if beside the back roads. Old weathered cleat marks show on their surfaces where linemen have climbed to fix something in 1946 or 1952 or 1969. Birds--crows, sparrows, robins, starlings--roost on the humming wires and sit in hunched silence, and perhaps they hear the foreign human sounds through their taloned feet. If so, their beady eyes give no sign. The town has a sense, not of history, but of time, and the telephone poles seem to know this. If you lay your hand against one, you can feel the vibration from the wires deep in the wood, as if souls had been imprisoned in there and were struggling to get out.

  "...and he paid with an old twenty, Mabel, one of the big ones. Clyde said he hadn't seen one of those since the run on the Gates Bank and Trust in 1930. He was..."

  "...yes, he is a peculiar sort of man, Evvie. I've seen him through my binocs, trundling around behind the house with a wheelbarrer. Is he up there alone, I wonder, or..."

  "...Crockett might know, but he won't tell. He's keeping shut about it. He always was a..."

  "...writer at Eva's. I wonder if Floyd Tibbits knows he's been..."

  "...spends an awful lot of time at the library. Loretta Starcher says she never saw a fella who knew so many..."

  "...she said his name was..."

  "...yes, it's Straker. Mr R.T. Straker. Kenny Danles's mom said she stopped by that new place downtown and there was a genuine DeBiers cabinet in the window and they wanted eight hundred dollars for it. Can you imagine? So I said..."

  "...funny, him coming and that little Glick boy..."

  "...you don't think..."

  "...no, but it is funny. By the way, do you still have that recipe for..."

  The wires hum. And hum. And hum.

  THIRTEEN

  9/23/75

  Name: Glick, Daniel Francis

  Address: RFD #1, Brock Road, Jerusalem's Lot, Maine 04270

  Age: 12 Sex: Male Race: Caucasian

  Admitted: 9/22/75 Admitting Person: Anthony H. Glick (Father)

  Symptoms: Shock, loss of memory (partial), nausea, disinterest in food, constipation, general loginess

  Tests (see attached sheet):

  1. Tuberculosis skin patch: Neg.

  2. Tuberculosis sputum and urine: Neg.

  3. Diabetes: Neg.

  4. White cell count: Neg.

  5. Red cell count: 45% hemo.

  6. Marrow sample: Neg.

  7. Chest X-ray: Neg.

  Possible diagnosis: Pernicious anemia, primary or secondary; previous exam shows 86% hemoglobin. Secondary anemia is unlikely; no history of ulcers, hemorrhoids, bleeding piles, et al. Differential cell count neg. Primary anemia combined with mental shock likely. Recommend barium enema and X-rays for internal bleeding on the off-chance, yet no recent accidents, father says. Also recommend daily dosage of vitamin B12 (see attached sheet).

  Pending further tests, let's release him.

  G.M. Gorby

  Attending Physician

  FOURTEEN

  At one o'clock in the morning, September 24, the nurse stepped into Danny Glick's hospital room to give him his medication. She paused in the doorway, frowning. The bed was empty.

  Her eyes jumped from the bed to the oddly wasted white bundle that lay collapsed by the foot. "Danny?" she said.

  She stepped toward him and thought, He had to go to the bathroom and it was too much for him, that's all.

  She turned him over gently, and her first thought before realizing that he was dead was that the B12 had been helping; he looked better than he had since his admission.

  And then she felt the cold flesh of his wrist and the lack of movement in the light blue tracery of veins beneath her fingers, and she ran for the nurses' station to report a death on the ward.

  Chapter Five

  Ben (II)

  On September 25 Ben took dinner with the Nortons again. It was Thursday night, and the meal was traditional--beans and franks. Bill Norton grilled the franks on the outdoor grill, and Ann had had her kidney beans simmering in molasses since nine that morning. They ate at the picnic table and afterward they sat smoking, the four of them, talking desultorily of Boston's fading pennant chances.

  There was a subtle change in the air; it was still pleasant enough, even in shirtsleeves, but there was a glint of ice in it now. Autumn was waiting in the wings, almost in sight. The large and ancient maple in front of Eva Miller's boardinghouse had already begun to go red.

  There had been no change in Ben's relationship with the Nortons. Susan's liking for him was frank and clear and natural. And he liked her very much. In Bill he sensed a steadily increasing liking, held in abeyance by the subconscious taboo that affects all fathers when in the presence of men who are there because of their daughters rather than themselves. If you like another man and you are honest, you speak freely, discuss women over beer, shoot the shit about politics. But no matter how deep the potential liking, it is impossible to open up completely to a man who is dangling your daughter's potential defloration between his legs. Ben reflected that after marriage the possible had become the actual and could you become complete friends with the man who was banging your daughter night after night? There might be a moral there, but Ben doubted it.

  Ann Norton continued cool. Susan had told him a little of the Floyd Tibbits situation the night before--of her mother's assumption that her son-in-law problems had been solved neatly and satisfactorily in that direction. Floyd was a known quantity; he was Steady. Ben Mears, on the other hand, had come out of nowhere and might disappear back there just as quickly, possibly with her daughter's heart in his pocket. She distrusted the creative male with an instinctive small-town dislike (one that Edward Arlington Robinson or Sherwood Anderson would have recognized at once), and Ben suspected that down deep she had absorbed a maxim: either faggots or bull studs; sometimes homicidal, suicidal, or maniacal, tend to send young girls packages containing their left ears. Ben's participation in the search for Ralphie Glick seemed to have increased her suspicions rather than allayed them, and he suspected that winning her over was an impossibility. He wondered if she knew of Parkins Gillespie's visit to his room.

  He was chewing these thoughts over lazily when
Ann said, "Terrible about the Glick boy."

  "Ralphie? Yes," Bill said.

  "No, the older one. He's dead."

  Ben started. "Who? Danny?"

  "He died early yesterday morning." She seemed surprised that the men did not know. It had been all the talk.

  "I heard them talking in Milt's," Susan said. Her hand found Ben's under the table and he took it willingly. "How are the Glicks taking it?"

  "The same way I would," Ann said simply. "They are out of their minds."

  Well they might be, Ben thought. Ten days ago their life had been going about its usual ordained cycle; now their family unit was smashed and in pieces. It gave him a morbid chill.

  "Do you think the other Glick boy will ever show up alive?" Bill asked Ben.

  "No," Ben said. "I think he's dead, too."

  "Like that thing in Houston two years ago," Susan said. "If he's dead, I almost hope they don't find him. Whoever could do something like that to a little, defenseless boy--"

  "The police are looking around, I guess," Ben said. "Rounding up known sex offenders and talking to them."

  "When they find the guy they ought to hang him up by the thumbs," Bill Norton said. "Badminton, Ben?"

  Ben stood. "No thanks. Too much like you playing solitaire with me for the dummy. Thanks for the nice meal. I've got work to do tonight."

  Ann Norton lifted her eyebrow and said nothing.

  Bill stood. "How's that new book coming?"

  "Good," Ben said briefly. "Would you like to walk down the hill with me and have a soda at Spencer's, Susan?"

  "Oh, I don't know," Ann interposed swiftly. "After Ralphie Glick and all, I'd feel better if--"

  "Momma, I'm a big girl," Susan interposed. "And there are streetlights all the way up Brock Hill."

  "I'll walk you back up, of course," Ben said, almost formally. He had left his car at Eva's. The early evening had been too fine to drive.

  "They'll be fine," Bill said. "You worry too much, Mother."

  "Oh, I suppose I do. Young folks always know best, don't they?" She smiled thinly.

  "I'll just get a jacket," Susan murmured to Ben, and turned up the back walk. She was wearing a red play skirt, thigh-high, and she exposed a lot of leg going up the steps to the door. Ben watched, knowing Ann was watching him watch. Her husband was damping the charcoal fire.

  "How long do you intend to stay in the Lot, Ben?" Ann asked, showing polite interest.

  "Until the book gets written, anyway," he said. "After that, I can't say. It's very lovely in the mornings, and the air tastes good when you breathe it." He smiled into her eyes. "I may stay longer."

  She smiled back. "It gets cold in the winters, Ben. Awfully cold."

  Then Susan was coming back down the steps with a light jacket thrown over her shoulders. "Ready? I'm going to have a chocolate. Look out, complexion."

  "Your complexion will survive," he said, and turned to Mr and Mrs Norton. "Thank you again."

  "Anytime," Bill said. "Come on over with a six-pack tomorrow night, if you want. We'll make fun of that goddamn Yastrzemski."

  "That would be fun," Ben said, "but what'll we do after the second inning?"

  His laughter, hearty and full, followed them around the corner of the house.

  TWO

  "I don't really want to go to Spencer's," she said as they went down the hill. "Let's go to the park instead."

  "What about muggers, lady?" he asked, doing the Bronx for her.

  "In the Lot, all muggers have to be in by seven. It's a town ordinance. And it is now exactly eight-oh-three." Darkness had fallen over them as they walked down the hill, and their shadows waxed and waned in the streetlights.

  "Agreeable muggers you have," he said. "No one goes to the park after dark?"

  "Sometimes the town kids go there to make out if they can't afford the drive-in," she said, and winked at him. "So if you see anyone skulking around in the bushes, look the other way."

  They entered from the west side, which faced the Municipal Building. The park was shadowy and a little dreamlike, the concrete walks curving away under the leafy trees, and the wading pool glimmering quietly in the refracted glow from the streetlights. If anyone was here, Ben didn't see him.

  They walked around the War Memorial with its long lists of names, the oldest from the Revolutionary War, the newest from Vietnam, carved under the War of 1812. There were six hometown names from the most recent conflict, the new cuts in the brass gleaming like fresh wounds. He thought: This town has the wrong name. It ought to be Time. And as if the action was a natural outgrowth of the thought, he looked over his shoulder for the Marsten House, but the bulk of the Municipal Building blocked it out.

  She saw his glance and it made her frown. As they spread their jackets on the grass and sat down (they had spurned the park benches without discussion), she said, "Mom said Parkins Gillespie was checking up on you. The new boy in school must have stolen the milk money, or something like that."

  "He's quite a character," Ben said.

  "Mom had you practically tried and convicted." It was said lightly, but the lightness faltered and let something serious through.

  "Your mother doesn't care for me much, does she?"

  "No," Susan said, holding his hand. "It was a case of dislike at first sight. I'm very sorry."

  "It's okay," he said. "I'm batting five hundred anyway."

  "Daddy?" She smiled. "He just knows class when he sees it." The smile faded. "Ben, what's this new book about?"

  "That's hard to say." He slipped his loafers off and dug his toes into the dewy grass.

  "Subject-changer."

  "No, I don't mind telling you." And he found, surprisingly, that this was true. He had always thought of a work in progress as a child, a weak child, that had to be protected and cradled. Too much handling would kill it. He had refused to tell Miranda a word about Conway's Daughter or Air Dance, although she had been wildly curious about both of them. But Susan was different. With Miranda there had always been a directed sort of probing, and her questions were more like interrogations.

  "Just let me think how to put it together," he said.

  "Can you kiss me while you think?" she asked, lying back on the grass. He was forcibly aware of how short her skirt was; it had given a lot of ground.

  "I think that might interfere with the thought processes," he said softly. "Let's see."

  He leaned over and kissed her, placing one hand lightly on her waist. She met his mouth firmly, and her hands closed over his. A moment later he felt her tongue for the first time, and he met it with his own. She shifted to return his kiss more fully, and the soft rustle of her cotton skirt seemed loud, almost maddening.

  He slid his hand up and she arched her breast into it, soft and full. For the second time since he had known her he felt sixteen, a head-busting sixteen with everything in front of him six lanes wide and no hard traveling in sight.

  "Ben?"

  "Yes."

  "Make love to me? Do you want to?"

  "Yes," he said. "I want that."

  "Here on the grass," she said.

  "Yes."

  She was looking up at him, her eyes wide in the dark. She said, "Make it be good."

  "I'll try."

  "Slow," she said. "Slow. Slow. Here..."

  They became shadows in the dark.

  "There," he said. "Oh, Susan."

  THREE

  They were walking, first aimlessly through the park, and then with more purpose toward Brock Street.

  "Are you sorry?" he asked.

  She looked up at him and smiled without artifice. "No. I'm glad."

  "Good."

  They walked hand in hand without speaking.

  "The book?" she asked. "You were going to tell me about that before we were so sweetly interrupted."

  "The book is about the Marsten House," he said slowly. "Maybe it didn't start out to be, not wholly. I thought it was going to be about this town. But maybe I'm fooling myself. I
researched Hubie Marsten, you know. He was a mobster. The trucking company was just a front."

  She was looking at him in wonder. "How did you find that out?"

  "Some from the Boston police, and more from a woman named Minella Corey, Birdie Marsten's sister. She's seventy-nine now, and she can't remember what she had for breakfast, but she's never forgotten a thing that happened before 1940."

  "And she told you--"

  "As much as she knew. She's in a nursing home in New Hampshire, and I don't think anyone's really taken the time to listen to her in years. I asked her if Hubert Marsten had really been a contract killer in the Boston area--the police sure thought he was--and she nodded. 'How many?' I asked her. She held her fingers up in front of her eyes and waggled them back and forth and said, 'How many times can you count these?'"

  "My God."

  "The Boston organization began to get very nervous about Hubert Marsten in 1927," Ben went on. "He was picked up for questioning twice, once by the city police and once by the Malden police. The Boston grab was for a gangland killing, and he was back on the street in two hours. The thing in Malden wasn't business at all. It was the murder of an eleven-year-old boy. The child had been eviscerated."

  "Ben," she said, and her voice was sick.

  "Marsten's employers got him off the hook--I imagine he knew where a few bodies were buried--but that was the end of him in Boston. He moved quietly to 'salem's Lot, just a retired trucking official who got a check once a month. He didn't go out much. At least, not much that we know of."

  "What do you mean?"

  "I've spent a lot of time in the library looking at old copies of the Ledger from 1928 to 1939. Four children disappeared in that period. Not that unusual, not in a rural area. Kids get lost, and they sometimes die of exposure. Sometimes kids get buried in a gravel-pit slide. Not nice, but it happens."

  "But you don't think that's what happened?"

  "I don't know. But I do know that not one of those four was ever found. No hunter turning up a skeleton in 1945 or a contractor digging one up while getting a load of gravel to make cement. Hubert and Birdie lived in that house for eleven years and the kids disappeared, and that's all anyone knows. But I keep thinking about that kid in Malden. I think about that a lot. Do you know The Haunting of Hill House, by Shirley Jackson?"