End of Watch Page 10

  In his hospital room, lying in bed, his glycerin-moistened lips moved and he spoke the word aloud. He was alone; this was still three weeks before a nurse would observe Brady open his eyes and ask for his mother.

  "Con . . . trol."

  And the lights came on. Just as they did in his Star Trek-style computer workroom when he voice-activated them from the top of the stairs leading down from the kitchen.

  That's where he was: in his basement on Elm Street, looking just as it had on the day he'd left it for the last time. There was another word that woke up another function, and now that he was here, he remembered that, as well. Because it was a good word.

  "Chaos!"

  In his mind, he boomed it out like Moses on Mount Sinai. In his hospital bed, it was a whispered croak. But it did the job, because his row of laptop computers came to life. On each screen was the number 20 . . . then 19 . . . then 18 . . .

  What is this? What, in the name of God?

  For a panicky moment he couldn't remember. All he knew was that if the countdown he saw marching across the seven screens reached zero, the computers would freeze. He would lose them, this room, and the little sliver of consciousness he had somehow managed. He would be buried alive in the darkness of his own hea--

  And that was the word! The very one!

  "Darkness!"

  He screamed it at the top of his lungs--at least inside. Outside it was that same whispered croak from long unused vocal cords. His pulse, respiration, and blood pressure had all begun to rise. Soon Head Nurse Becky Helmington would notice and come to check on him, hurrying but not quite running.

  In Brady's basement workroom, the countdown on the computers stopped at 14, and on each screen a picture appeared. Once upon a time, those computers (now stored in a cavernous police evidence room and labeled exhibits A through G) had booted up showing stills from a movie called The Wild Bunch. Now, however, they showed photographs from Brady's life.

  On screen 1 was his brother Frankie, who choked on an apple, suffered his own brain damage, and later fell down the cellar stairs (helped along by his big brother's foot).

  On screen 2 was Deborah herself. She was dressed in a clingy white robe that Brady remembered instantly. She called me her honeyboy, he thought, and when she kissed me her lips were always a little damp and I got a hard-on. When I was little, she called that a stiffy. Sometimes when I was in the tub she'd rub it with a warm wet washcloth and ask me if it felt good.

  On screen 3 were Thing One and Thing Two, inventions that had actually worked.

  On screen 4 was Mrs. Trelawney's gray Mercedes sedan, the hood dented and the grille dripping with blood.

  On screen 5 was a wheelchair. For a moment the relevance wouldn't come, but then it clicked in. It was how he had gotten into the Mingo Auditorium on the night of the 'Round Here concert. Nobody worried about a poor old cripple in a wheelchair.

  On screen 6 was a handsome, smiling young man. Brady couldn't recall his name, at least not yet, but he knew who the young man was: the old Det.-Ret.'s nigger lawnboy.

  And on screen 7 was Hodges himself, wearing a fedora cocked rakishly over one eye and smiling. Gotcha, Brady, that smile said. Whapped you with my whapper and there you lie, in a hospital bed, and when will you rise from it and walk? I'm betting never.

  Fucking Hodges, who spoiled everything.

  *

  Those seven images were the armature around which Brady began to rebuild his identity. As he did so, the walls of his basement room--always his hideaway, his redoubt against a stupid and uncaring world--began to thin. He heard other voices coming through the walls and realized that some were nurses, some were doctors, and some--perhaps--were law enforcement types, checking up on him to make sure he wasn't faking. He both was and wasn't. The truth, like that concerning Frankie's death, was complex.

  At first he opened his eyes only when he was sure he was alone, and didn't open them often. There wasn't a lot in his room to look at. Sooner or later he would have to come awake all the way, but even when he did they must not know that he could think much, when in fact he was thinking more clearly every day. If they knew that, they would put him on trial.

  Brady didn't want to be put on trial.

  Not when he still might have things to do.

  *

  A week before Brady spoke to Nurse Norma Wilmer, he opened his eyes in the middle of the night and looked at the bottle of saline suspended from the IV stand beside his bed. Bored, he lifted his hand to push it, perhaps even knock it to the floor. He did not succeed in doing that, but it was swinging back and forth from its hook before he realized both of his hands were still lying on the counterpane, the fingers turned in slightly due to the muscle atrophy physical therapy could slow but not stop--not, at least, when the patient was sleeping the long sleep of low brainwaves.

  Did I do that?

  He reached out again, and his hands still did not move much (although the left, his dominant hand, trembled a bit), but he felt his palm touch the saline bottle and put it back in motion.

  He thought, That's interesting, and fell asleep. It was the first honest sleep he'd had since Hodges (or perhaps it had been his nigger lawnboy) put him in this goddam hospital bed.

  *

  On the following nights--late nights, when he could be sure no one might come in and see--Brady experimented with his phantom hand. Often as he did so he thought of a high school classmate named Henry "Hook" Crosby, who had lost his right hand in a car accident. He had a prosthetic--obviously fake, so he wore it with a glove--but sometimes he wore a stainless steel hook to school, instead. Henry claimed it was easier to pick things up with the hook, and as a bonus, it grossed out girls when he snuck up behind them and caressed a calf or bare arm with it. He once told Brady that, although he'd lost the hand seven years ago, he sometimes felt it itching, or prickling, as if it had gone numb and was just waking up. He showed Brady his stump, smooth and pink. "When it gets prickly like that, I'd swear I could scratch my head with it," he said.

  Brady now knew exactly how Hook Crosby felt . . . except he, Brady, could scratch his head with his phantom hand. He had tried it. He had also discovered that he could rattle the slats in the venetian blinds the nurses dropped over his window at night. That window was much too far away from his bed to reach, but with the phantom hand he could reach it, anyway. Someone had put a vase of fake flowers on the table next to his bed (he later discovered it was Head Nurse Becky Helmington, the only one on staff to treat him with a degree of kindness), and he could slide it back and forth, easy as pie.

  After a struggle--his memory was full of holes--he recalled the name for this sort of phenomenon: telekinesis. The ability to move objects by concentrating on them. Only any real concentration made his head ache fiercely, and his mind didn't seem to have much to do with it. It was his hand, his dominant left hand, even though the one lying splay-fingered on the bedspread never moved.

  Pretty amazing. He was sure that Babineau, the doctor who came to see him most frequently (or had; lately he seemed to be losing interest), would be over the moon with excitement, but this was one talent Brady intended to keep to himself.

  It might come in handy at some point, but he doubted it. Wiggling one's ears was also a talent, but not one that had any useful value. Yes, he could move the bottles on the IV stand, and rattle the blinds, and knock over a picture; he could send ripples through his blankets, as though a big fish were swimming beneath. Sometimes he did one of those things when a nurse was in the room, because their startled reactions were amusing. That, however, seemed to be the extent of this new ability. He had tried and failed to turn on the television suspended over his bed, had tried and failed to close the door to the en suite bathroom. He could grasp the chrome handle--he felt its cold hardness as his fingers closed around it--but the door was too heavy and his phantom hand was too weak. At least, so far. He had an idea that if he continued to exercise it, the hand might grow stronger.

  I need to wake up,
he thought, if only so I can get some aspirin for this endless fucking headache and actually eat some real food. Even a dish of hospital custard would be a treat. I'll do it soon. Maybe even tomorrow.

  But he didn't. Because on the following day, he discovered that telekinesis wasn't the only new ability he'd brought back from wherever he'd been.

  *

  The nurse who came in most afternoons to check his vitals and most evenings to get him ready for the night (you couldn't say ready for bed when he was always in bed) was a young woman named Sadie MacDonald. She was dark-haired and pretty in a washed-out, no-makeup sort of way. Brady had observed her through half-closed eyes, as he observed all visitors to his room in the days since he had come through the wall from his basement workroom where he had first regained consciousness.

  She seemed frightened of him, but he came to realize that didn't exactly make him special, because Nurse MacDonald was frightened of everyone. She was the kind of woman who scuttles rather than walks. If someone came into 217 while she was about her duties--Head Nurse Becky Helmington, for instance--Sadie had a tendency to shrink into the background. And she was terrified of Dr. Babineau. When she had to be in the room with him, Brady could almost taste her fear.

  He came to realize that might not have been an exaggeration.

  *

  On the day after Brady fell asleep thinking of custard, Sadie MacDonald came into Room 217 at quarter past three, checked the monitor above the head of his bed, and wrote some numbers on the clipboard that hung at the foot. Next she'd check the bottles on the IV stand and go to the closet for fresh pillows. She would lift him with one hand--she was small, but her arms were strong--and replace his old pillows with the new ones. That might actually have been an orderly's job, but Brady had an idea that MacDonald was at the bottom of the hospital pecking order. Low nurse on the totem pole, so to speak.

  He had decided he would open his eyes and speak to her just as she finished changing the pillows, when their faces were closest. It would scare her, and Brady liked to scare people. Much in his life had changed, but not that. Maybe she would even scream, as one nurse had when he made his coverlet do its rippling thing.

  Only MacDonald diverted to the window on her way to the closet. There was nothing out there to see but the parking garage, yet she stood there for a minute . . . then two . . . then three. Why? What was so fascinating about a brick fucking wall?

  Only it wasn't all brick, Brady realized as he looked out with her. There were long open spaces on each level, and as the cars went up the ramp, the sun flashed briefly on their windshields.

  Flash. And flash. And flash.

  Jesus Christ, Brady thought. I'm the one who's supposed to be in a coma, aren't I? It's like she's having some kind of seiz--

  But wait. Wait just a goddam minute.

  Looking out with her? How can I be looking out with her when I'm lying here in bed?

  There went a rusty pickup truck. Behind it came a Jaguar sedan, probably some rich doctor's car, and Brady realized he wasn't looking out with her, he was looking out from her. It was like watching the scenery from the passenger side while someone else drove the car.

  And yes, Sadie MacDonald was having a seizure, one so mild she probably didn't even know it was happening. The lights had caused it. The lights on the windshields of the passing cars. As soon as there was a lull in the traffic on that ramp, or as soon as the angle of the sunlight changed a bit, she would come out of it and go about her duties. She would come out of it without even knowing she'd been in it.

  Brady knew this.

  He knew because he was inside her.

  He went a little deeper and realized he could see her thoughts. It was amazing. He could actually watch them flashing back and forth, hither and thither, high and low, sometimes crossing paths in a dark green medium that was--perhaps, he'd have to think about this, and very carefully to be sure--her core consciousness. Her basic Sadie-ness. He tried to go deeper, to identify some of the thoughtfish, although Christ, they went by so fast! Still . . .

  Something about the muffins she had at home in her apartment.

  Something about a cat she had seen in a pet shop window: black with a cunning white bib.

  Something about . . . rocks? Was it rocks?

  Something about her father, and that fish was red, the color of anger. Or shame. Or both.

  As she turned from the window and headed for the closet, Brady felt a moment of tumbling vertigo. It passed, and he was back inside himself, looking out through his own eyes. She had ejected him without even knowing he was there.

  When she lifted him to put two foam pillows with freshly laundered cases behind his head, Brady let his eyes remain in their fixed and half-lidded stare. He did not speak, after all.

  He really did need to think about this.

  *

  During the next four days, Brady tried several times to get inside the heads of those who visited his room. He had a degree of success only once, with a young orderly who came in to mop the floor. The kid wasn't a Mongolian idiot (his mother's term for those with Down syndrome), but he wasn't a Mensa candidate, either. He was looking down at the wet stripes his mop left on the linoleum, watching the brightness of each one fade, and that opened him up just enough. Brady's visit was brief and uninteresting. The kid was wondering if they would have tacos in the caff that evening--big deal.

  Then the vertigo, the sense of tumbling. The kid had spit him out like a watermelon seed, never once slowing the pendulum swings of his mop.

  With the others who poked into his room from time to time, he had no success at all, and this failure was a lot more frustrating than being unable to scratch his face when it itched. Brady had taken an inventory of himself, and what he had found was dismaying. His constantly aching head sat on top of a skeletal body. He could move, he wasn't paralyzed, but his muscles had atrophied and even sliding a leg two or three inches one way or another took a herculean effort. Being inside Nurse MacDonald, on the other hand, had been like riding on a magic carpet.

  But he'd only gotten in because MacDonald had some form of epilepsy. Not much, just enough to briefly open a door. Others seemed to have natural defenses. He hadn't even managed to stay inside the orderly for more than a few seconds, and if that ass-munch had been a dwarf, he would have been named Dopey.

  Which made him remember a joke. Stranger in New York City asks a beatnik, "How do you get to Carnegie Hall?" Beatnik replies, "Practice, man, practice."

  That's what I need to do, Brady thought. Practice and get stronger. Because Kermit William Hodges is out there someplace, and the old Det.-Ret. thinks he won. I can't allow that. I won't allow that.

  And so on that rain-soaked evening in mid-November of 2011, Brady opened his eyes, said his head hurt, and asked for his mother. There was no scream. It was Sadie MacDonald's night off, and Norma Wilmer, the nurse on duty, was made of tougher stuff. Nevertheless, she gave a little cry of surprise, and ran to see if Dr. Babineau was still in the doctors' lounge.

  Brady thought, Now the rest of my life begins.

  Brady thought, Practice, man, practice.

  BLACKISH

  1

  Although Hodges has officially made Holly a full partner in Finders Keepers, and there's a spare office (small, but with a street view), she has elected to remain based in the reception area. She's seated there, peering at the screen of her computer, when Hodges comes in at quarter to eleven. And although she's quick to sweep something into the wide drawer above the kneehole of her desk, Hodges's olfactories are still in good working order (unlike some of his malfunctioning equipment further south), and he catches an unmistakable whiff of half-eaten Twinkie.

  "What's the story, Hollyberry?"

  "You picked that up from Jerome, and you know I hate it. Call me Hollyberry again and I'll go see my mother for a week. She keeps asking me to visit."

  As if, Hodges thinks. You can't stand her, and besides, you're on the scent, my dear. As hooked as a heroin a
ddict.

  "Sorry, sorry." He looks over her shoulder and sees an article from Bloomberg Business dated April of 2014. The headline reads ZAPPIT ZAPPED. "Yeah, the company screwed the pooch and stepped out the door. Thought I told you that yesterday."

  "You did. What's interesting, to me at least, is the inventory."

  "What do you mean?"

  "Thousands of unsold Zappits, maybe tens of thousands. I wanted to know what happened to them."

  "And did you find out?"

  "Not yet."

  "Maybe they got shipped to the poor children in China, along with all the vegetables I refused to eat as a child."

  "Starving children are not funny," she says, looking severe.

  "No, of course not."

  Hodges straightens up. He filled a prescription for painkillers on his way back from Stamos's office--heavy-duty, but not as heavy as the stuff he may be taking soon--and he feels almost okay. There's even a faint stirring of hunger in his belly, which is a welcome change. "They were probably destroyed. That's what they do with unsold paperback books, I think."

  "That's a lot of inventory to destroy," she says, "considering the gadgets are loaded with games and still work. The top of the line, the Commanders, even came equipped with WiFi. Now tell me about your tests."

  Hodges manufactures a smile he hopes will look both modest and happy. "Good news, actually. It's an ulcer, but just a little one. I'll have to take a bunch of pills and be careful about my diet. Dr. Stamos says if I do that, it should heal on its own."

  She gives him a radiant smile that makes Hodges feel good about this outrageous lie. Of course, it also makes him feel like dogshit on an old shoe.

  "Thank God! You'll do what he says, won't you?"

  "You bet." More dogshit; all the bland food in the world won't cure what ails him. Hodges is not a giver-upper, and under other circumstances he would be in the office of gastroenterologist Henry Yip right now, no matter how bad the odds of beating pancreatic cancer. The message he received on the Blue Umbrella site has changed things, however.